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Seeing Things from New Perspectives
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Learning Tommo-So in Maliby Laura McPherson, 2008-2009, MaliWhile learning another language can usually be a by-product of conducting research in another country, for me it's been the very heart and soul of my work. For the last seven months, I have been writing a dictionary and compiling grammar for Tommo-So, an undocumented Dogon language from central Mali. Writing a dictionary brings you face-to-face with words and expressions you would never dream of using in everyday conversation, primarily because such words don't exist in English. You would never be speaking with someone mid-sentence and suddenly realize that you don't know the word for "to smear excrement on a cow's udder to stop a calf from suckling" (bɔdɔ para). Language is a window into a culture, and through this dictionary, I have been able to peer into myriad aspects of Tommo life: from pounding millet, to burial rituals, to good ways to insult somebody’s mother. The more I learn the language, the more I am able to give my village a glimpse of my life. One night, as my host mother, Tepama, and I were sitting under a sky bursting with stars, we started to discuss winter in “my village." Being from Minnesota, I told her that where I’m from the water “sleeps” for three months, meaning it is frozen. “Don’t you have the sun there?” she asked me. I told her we did. “Does it not have any strength?” Unsure of how to answer, I agreed that it must not have strength. She seemed satisfied.
When the narration was finished, I plugged in my headphones to make sure that the recording was good. My host father, the youngest of the men there, (he's in his late fifties), took the ear buds and placed them in the old man’s ears. As I restarted the recording, I could see his clouded eyes flash and the hint of a smile crease in his already wrinkled face as his own voice played like magic in his ears. The recording stopped and the earphones were removed. Still smiling, he said, “Today I have seen things my grandparents haven’t seen.” And I, coming from one of the most technologically advanced societies on Earth, could say the same thing. To comment on Laura McPherson's article on State Alumni, please click here. |
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Reinventing Change, One Cell Phone at a Timeby John Pena, 2008-2009, Colombia ETAThe other day, on my way to work, I saw a hand painted sign on a telephone pole that read, "Cell Phone Robbery Zone." At first, I couldn't believe what I was seeing as it seemed too absurd to be real. I asked a friend from Cali about it, and he informed me that it is indeed a real sign. As a visual artist whose work explores the intersection between art and public space, I was amazed by the evocative power of this sign. What struck me as remarkable was that this sign managed to reference Cali's history while also acting as a conscientious warning to pedestrians. The fact that it exists on both levels is largely due to the collision between the formal and the informal economies in Cali.
So as not to paint an overly exotic picture of the city, it must be noted that the reason for such a large informal economy is that, over the years, violence in the countryside displaced large populations into the city. As the population climbed, the formal economy could only support so many workers, and soon an informal one developed. That the warning sign in question is a by-product of this complex history is best illustrated by considering the subject of the sign - the ever present cell phone. Cell phones were at first a part of the formal economy. As companies democratized the technology, cell phones became more accessible and individuals began purchasing them and selling minutes on street corners, thus developing the informal economy. Soon criminals began to see that stealing cell phones was a lucrative business. It is for this reason that if you go to a corner to buy cell phone minutes, the phone is often chained to a tree or a wall to prevent theft. It is from this context that the sign in question emerged.
This sign, in a way, embodies the complexity of change. It reminds us that change doesn't have to be the grand and all-encompassing concept we have come to know; rather, it can be quiet, local and tangible. In the case of this particular sign, it can be initiated with a brush, paint and a few minutes of one's life. To comment on John Pena's article on State Alumni, please click here. |
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A Call for Articles with PhotosWe welcome articles with accompanying photos for future issues of the Fulbright U.S. Student Grantee Newsletter. Articles should ideally be about your experience of being abroad as a Fulbright grantee (and cultural ambassador), and any relevant and/or unique musings you might want to share with your fellow Fulbright grantees and others interested in the Fulbright Program. The length of the article should be no more than 500 words and not require much editing in order to be published. The accompanying photos should show you engaged in program activities, or be illustrative of your article's content. Please submit your articles with photos within two weeks of the release of this newsletter. If you have any questions, please do not hesitate to contact us. We look forward to receiving your articles! |