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Fulbright Program for U.S. Students

Fulbright U.S. Student
Grantee Newsletter

Issue 19 | July 2009

Gaining Cultural Perspectives Through Language Learning
table of contents

Program Updates

Marine Biology and English Collide in Guayacan

by Jeremy Schwartzbord, 2008-2009, Venezuela ETA

As class began, ten Venezuelan marine biology researchers broke into song - con mucho gusto.  The warm-up tune of the day happened to be the Beatles' "Octopus's Garden."  In the process of learning the lyrics to Ringo Starr's cephalopod-starring ditty, the researchers practiced their pronunciation, worked at improving their listening comprehension, and simply enjoyed themselves.  The researchers participate in a weekly English workshop I run at the Oceanographic Institute of Venezuela, located at the Universidad de Oriente (UDO) in Cumaná.  The workshop is secondary to my work with students as a Fulbright English Teaching Assistant (ETA) in the Department of Modern Languages.  However, one of the most meaningful components of my job at the UDO has been my secondary project.
 
Jeremy Schwartzbord, 2008-2009,
Venezuela ETA 
Jeremy Schwartzbord, 2008-2009, Venezuela ETA (left) fishing off the coast of the Anzoategüi State, Venezuela, with the family of a fellow university teacher, Ana Coraspe (not pictured)  
I could not have envisioned my project with the Oceanographic Institute before my arrival in Venezuela.  As an undergraduate, I studied terrestrial ecology and environmental education.  Though my college studies and English teaching do not have a strong relationship at face value, I applied to the Fulbright ETA program to gain teaching experience, to come into contact with the many facets of Venezuelan life and improve my Spanish.  I applied, won the grant, and serendipitously ended up at the UDO.  Aided by fortuitous social networks, I met Dr. Mairin Lemus, an ecotoxicology professor in search of an English teacher trained in the biological sciences.

During our first meeting, Dr. Lemus described the research station she directs, explained its English-related pitfalls and put forward a proposition.  The research station, Centro de Investigaciones Ecológicas de Guayacán (CIEG), lies nestled in the small coastal town of Guayacán - a boat ride away from Cumaná.  The researchers aim to publish their results in academic journals that require English translations of all abstracts.  But neither the researchers nor other biology students at the UDO are able to write clear, grammatically correct scientific abstracts in English.  Dr. Lemus admitted that grammatical errors in a poorly translated abstract are often cited as grounds for rejecting a research paper.  This has been a serious problem for the CIEG researchers, most of whom last studied English when they were in high school.  Dr. Lemus sought a remedy for the problem and asked me to lead a weekly English workshop for the ten researchers.

When I hold class outside in Guayacán, my students exhibit an incredibly ardent desire to learn English, asking question after question (i.e., ¿Comó se dice area de preparación de taxidermia?: “How do you say taxidermy prep area?”).  As we hold class, the wind constantly sweeps through, tossing the locals' small, pastel-colored fishing boats along the shore.  Inside, we translate articles as a group.  My students prepare presentations in English, readying themselves for international conferences in their fields and in turn, advancing their scientific articles.  At the same time, they have brought me to the unexpected surroundings of Guayacán and taught me about the area's ecology.  These rich exchanges are ones I will never forget. 
 
To comment on Jeremy Schwartzbord's article on State Alumni, please click here


 

The Awful English Essay

by Han-luen Kantzer Komline, 2008-2009, Germany

While teaching an English composition course from 2004 to 2005 at Yantai University (Shandong Province), I learned that a classic Chinese essay is an artful exercise in delayed gratification.  The central claim of a Chinese essay is not its starting point, but its destination; its governing pattern not linear, but spiral, as it circles in on a final dénouement.  

Pursuing a master’s degree in the U.S. upon my return, I was reminded of a very different set of principles for good writing: 1) argue a thesis; 2) state this thesis clearly at the outset; 3) there is no point in defending a thesis if it isn’t new and interesting.

Han-luen Kantzer Komline,
2008-2009, Germany 
Han-luen Kantzer Komline, 2008-2009, Germany  
With these admonitions ringing in my ears, I packed my bags for Tübingen, the Mecca of German Universities for both Protestant and Roman Catholic theology.  Here, where aspiring theologians can justifiably trace their heritage to any number of illustrious forbearers, from the incumbent Pope to Hegel, Hölderlin and Kepler, I would be embarking not only on my Fulbright project (an investigation into Karl Barth’s reception of the philosopher Martin Heidegger), but also on my own genealogical study.  I was already aware of the sharp contrast between the goals of Anglo-American and Chinese academic writing, which I had encountered while teaching in the country where my mother was born.  Now, as a student in Germany, where my father’s ancestors lived, I would become familiar with pronounced differences between two Western academic cultures.

Mark Twain’s essay “The Awful German Language,” has unforgettably if unfairly memorialized some of the German grammatical quirks most exasperating to English speakers.  But the minutiae of German grammatical structures, which actually enable more precise communication than their English counterparts, form only the most superficial layer of a deeper contrast - a divergence in the basic understanding of the academic enterprise's purpose.  One of my German professors recently outlined a set of guidelines for a historical term paper as follows: 1) the goal is to provide a close reading of the primary text; 2) place this text in its historical context; 3) as a subordinate task, you may investigate a particular historical question.  Do NOT, he stated explicitly, take a thesis as a starting point, explain how the inquiry relates to contemporary discussions, or construct an interesting conclusion.  Doing the first leads one to manipulate one’s findings, interfering with the work’s objectivity.  Doing the second or third distracts one from the primary task at hand, which is not proving that one’s research is relevant, but producing relevant research. 

It is tempting to speculate about the roots of the radically different intentions of German and Anglo-American academic writing (historical, philosophical, more broadly cultural, etc.).  For now, however, I am content to record the observations that emerge from grappling first hand with German academic culture.  After all, as my German professor would have it, these observations are the ones worth writing down most of all.  

To comment on Han-luen Kantzer Komline's article on State Alumni, please click here



 

Submitting Photos, Articles and Blogs to State Alumni


Share your photos with the Fulbright Community!
  • Step 1: Register for State Alumni at https://alumni.state.gov.
  • Step 2: Once your account has been verified, login to State Alumni and navigate to the Fulbright Community from your community menu on the home page, or go directly to https://alumni.state.gov/fulbright.
  • Step 3:  Click on "Multimedia Gallery" to view existing photo albums, podcasts and videos. 
  • Step 4: To add your own photo album, click on 'Create a New Album' on the right hand side of the multimedia gallery page.
  • Step 5: Create your album by adding a title and description.  Please be specific.  Adding your name, home country, Fulbright country, field of study and year will help others to easily identify you and your photos.  Click "Save."
  • Step 6: Click "Add Photos" to begin adding photos to your album.  Photos may be added one at a time (Single File) or as a group (Zip Archive allows uploads of .zip, .gzip, and tar files). 
  • Step 7: For each photo or group of photos, enter appropriate titles, captions, keyword tags and a location. 
  • Step 8: Edit your album or the individual photos in your album, if necessary.
  • Step 9: The Fulbright Community Manager will be alerted of your new album and will approve materials before they appear live on the site.  Until they are approved, photos will display a "pending" status.
  • Step 10: Enjoy the Fulbright Community galleries and articles!

    Note: In addition to adding photos to the Fulbright Community Multimedia Gallery, you may also upload photos to the general Photo Gallery for all State Alumni members or to your user profile.  If you have a podcast or video to share, please email it to Fulbright@alumni.state.gov

Tell the Fulbright Community about what you're writing!

  • Step 1: Register for State Alumni at https://alumni.state.gov.
  • Step 2: Once your account has been verified, login to State Alumni and navigate to the Fulbright Community from your community menu on the home page, or go directly to https://alumni.state.gov/fulbright.
  • Step 3: Navigate to "Resources" and select "Fulbright Library" from the menu.
  • Step 4: Choose the appropriate section, such as blogs, research papers or multimedia.  Click "New Topic" to add a new item, or reply to an existing post. 
  • Step 5: Write the name of your blog (or other writing), add a descriptive message, and upload any relevant files.  Click "Save." 
  • Step 6: Subscribe to any or all of the Fulbright Library sections to receive an email when new items are posted.


 

A Call for Articles with Photos


We welcome articles with accompanying photos for future issues of the Fulbright U.S. Student Grantee Newsletter.  Articles should ideally be about your experience of being abroad as a Fulbright grantee (and cultural ambassador), and any relevant and/or unique musings you might want to share with your fellow Fulbright grantees and others interested in the Fulbright Program.  The length of the article should be no more than 500 words and not require much editing in order to be published.  The accompanying photos should show you engaged in program activities, or be illustrative of your article's content.  Please submit your articles with photos within two weeks of the release of this newsletter.  If you have any questions, please do not hesitate to contact us.  We look forward to receiving your articles!