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Fulbright Program for U.S. Students

Fulbright U.S. Student
Grantee Newsletter

Issue 15 | March 2009

Seeing Things from New Perspectives
table of contents

Program Updates

Learning Tommo-So in Mali

by Laura McPherson, 2008-2009, Mali

While learning another language can usually be a by-product of conducting research in another country, for me it's been the very heart and soul of my work.  For the last seven months, I have been writing a dictionary and compiling grammar for Tommo-So, an undocumented Dogon language from central Mali.  Writing a dictionary brings you face-to-face with words and expressions you would never dream of using in everyday conversation, primarily because such words don't exist in English.  You would never be speaking with someone mid-sentence and suddenly realize that you don't know the word for "to smear excrement on a cow's udder to stop a calf from suckling" (bɔdɔ para).

Language is a window into a culture, and through this dictionary, I have been able to peer into myriad aspects of Tommo life: from pounding millet, to burial rituals, to good ways to insult somebody’s mother.

The more I learn the language, the more I am able to give my village a glimpse of my life.  One night, as my host mother, Tepama, and I were sitting under a sky bursting with stars, we started to discuss winter in “my village."  Being from Minnesota, I told her that where I’m from the water “sleeps” for three months, meaning it is frozen.

“Don’t you have the sun there?” she asked me.

I told her we did.

“Does it not have any strength?”

Unsure of how to answer, I agreed that it must not have strength.  She seemed satisfied.

Amiel Melnick in Slovenia,
2005-2006 
Laura McPherson, 2008-2009, Mali (second from right) 
Part of my work involves recording and transcribing texts in Tommo-So.  In my village, Tongo-Tongo, there is a little old man who I see always shuffling around smoking a pipe.  One day, the chief of the village, my host father and I crowded into a little mud brick house with the old man so he could narrate the history of the village.  I had to get my digital recorder close to him for it to pick up his rough, quiet voice.  Though at that time I could not understand any of the language, I listened with rapt attention to his words that surely transported him to some place in the past.

When the narration was finished, I plugged in my headphones to make sure that the recording was good.  My host father, the youngest of the men there, (he's in his late fifties), took the ear buds and placed them in the old man’s ears.  As I restarted the recording, I could see his clouded eyes flash and the hint of a smile crease in his already wrinkled face as his own voice played like magic in his ears.  The recording stopped and the earphones were removed.  Still smiling, he said, “Today I have seen things my grandparents haven’t seen.”

And I, coming from one of the most technologically advanced societies on Earth, could say the same thing.

To comment on Laura McPherson's article on State Alumni, please click here.



 

Reinventing Change, One Cell Phone at a Time

by John Pena, 2008-2009, Colombia ETA

The other day, on my way to work, I saw a hand painted sign on a telephone pole that read, "Cell Phone Robbery Zone."  At first, I couldn't believe what I was seeing as it seemed too absurd to be real.  I asked a friend from Cali about it, and he informed me that it is indeed a real sign.  As a visual artist whose work explores the intersection between art and public space, I was amazed by the evocative power of this sign.

What struck me as remarkable was that this sign managed to reference Cali's history while also acting as a conscientious warning to pedestrians.  The fact that it exists on both levels is largely due to the collision between the formal and the informal economies in Cali.

Cell Phone Robbery Zone Sign,
Cali, Colombia  
Cell phone robbery zone sign, Cali, Colombia (photo courtesy of John Pena)
 
The degree to which the informal economy has integrated itself into Cali's landscape is quite impressive.  Hand painted signs on trees, walls, and rocks have transformed public space into private.  Nearly everything is mobile or pirated, and the word "fix" is more commonly used than "buy."  Colors and sounds fill spaces in between spaces, forming a unique texture.

So as not to paint an overly exotic picture of the city, it must be noted that the reason for such a large informal economy is that, over the years, violence in the countryside displaced large populations into the city.  As the population climbed, the formal economy could only support so many workers, and soon an informal one developed.  That the warning sign in question is a by-product of this complex history is best illustrated by considering the subject of the sign - the ever present cell phone.

Cell phones were at first a part of the formal economy.  As companies democratized the technology, cell phones became more accessible and individuals began purchasing them and selling minutes on street corners, thus developing the informal economy.  Soon criminals began to see that stealing cell phones was a lucrative business.  It is for this reason that if you go to a corner to buy cell phone minutes, the phone is often chained to a tree or a wall to prevent theft.  It is from this context that the sign in question emerged.

John Pena, 2008-2009, Colombia 
John Pena, 2008-2009, Colombia ETA (center), with students from his creative writing seminar  
What is most compelling about this gesture is that someone took the time to warn others and, in doing so, indirectly illustrated a complex history while managing to encourage people to look at their environment more carefully.  Ironically, this is one of my goals when making public art.  Before coming to Cali, I had never imagined that I would find such charged cultural relics hiding in plain view.

This sign, in a way, embodies the complexity of change.  It reminds us that change doesn't have to be the grand and all-encompassing concept we have come to know; rather, it can be quiet, local and tangible.  In the case of this particular sign, it can be initiated with a brush, paint and a few minutes of one's life.

To comment on John Pena's article on State Alumni, please click here.



 

Submitting Photos, Articles and Blogs to State Alumni


Share your photos with the Fulbright Community!
  • Step 1: Register for State Alumni at https://alumni.state.gov.
  • Step 2: Once your account has been verified, login to State Alumni and navigate to the Fulbright Community from your community menu on the home page, or go directly to https://alumni.state.gov/fulbright.
  • Step 3:  Click on "Multimedia Gallery" to view existing photo albums, podcasts and videos. 
  • Step 4: To add your own photo album, click on 'Create a New Album' on the right hand side of the multimedia gallery page.
  • Step 5: Create your album by adding a title and description.  Please be specific.  Adding your name, home country, Fulbright country, field of study and year will help others to easily identify you and your photos.  Click "Save."
  • Step 6: Click "Add Photos" to begin adding photos to your album.  Photos may be added one at a time (Single File) or as a group (Zip Archive allows uploads of .zip, .gzip, and tar files). 
  • Step 7: For each photo or group of photos, enter appropriate titles, captions, keyword tags and a location. 
  • Step 8: Edit your album or the individual photos in your album if necessary.
  • Step 9: The Fulbright Community Manager will be alerted of your new album and will approve materials before they appear live on the site.  Until they are approved, photos will display a "pending" status.
  • Step 10: Enjoy the Fulbright Community galleries and articles!

    Note: In addition to adding photos to the Fulbright Community Multimedia Gallery, you may also upload photos to the general Photo Gallery for all State Alumni members or to your user profile.  If you have a podcast or video to share, please email it to Fulbright@alumni.state.gov

Tell the Fulbright Community about what you're writing!

  • Step 1: Register for State Alumni at https://alumni.state.gov.
  • Step 2: Once your account has been verified, login to State Alumni and navigate to the Fulbright Community from your community menu on the home page, or go directly to https://alumni.state.gov/fulbright.
  • Step 3: Navigate to "Resources" and select "Fulbright Library" from the menu.
  • Step 4: Choose the appropriate section, such as blogs, research papers or multimedia.  Click "New Topic" to add a new item, or reply to an existing post. 
  • Step 5: Write the name of your blog (or other writing), add a descriptive message, and upload any relevant files.  Click "Save." 
  • Step 6: Subscribe to any or all of the Fulbright Library sections to receive an email when new items are posted.


 

A Call for Articles with Photos


We welcome articles with accompanying photos for future issues of the Fulbright U.S. Student Grantee Newsletter.  Articles should ideally be about your experience of being abroad as a Fulbright grantee (and cultural ambassador), and any relevant and/or unique musings you might want to share with your fellow Fulbright grantees and others interested in the Fulbright Program.  The length of the article should be no more than 500 words and not require much editing in order to be published.  The accompanying photos should show you engaged in program activities, or be illustrative of your article's content.  Please submit your articles with photos within two weeks of the release of this newsletter.  If you have any questions, please do not hesitate to contact us.  We look forward to receiving your articles!